I would like to pass on the benefit of my experience to those who would like to follow my advice. This book contains primarily studies for warming-up, lip-flexibility and technique, intended for professionals. But the beginner will also be able to make good use of the first exercises in each series. Even if warming-up is regarded as an essential daily exercise, one still has to allow for the possibility of occasionally having toplay with little or no preparation. To stay in form a professional musi cian should play ail the exercises in this book daily. If there is not enough time for that, he will have to content himself with a limited number of exercises from each series.
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